Marija Šerifović’s win with „Molitva“ in the 2007 Eurovision Song Contest was a significant moment for Serbia. Not only was it their first victory as an independent country, but it also made history as the first time since Switzerland’s debut win in 1956 that a country had won on their first attempt. The song’s emotional depth and powerful performance, coupled with Marija’s commanding stage presence, resonated with both the judges and audiences, propelling Serbia to the top spot in Eurovision history. The success of „Molitva“ remains a cherished moment for Serbian music and Eurovision fans alike.

The 2008 Eurovision Song Contest held in Belgrade, Serbia, was indeed a grand and memorable event. The stage design was widely praised for its beauty and innovation, contributing to the overall spectacle of the show. As the host country, Serbia had the opportunity to showcase its rich cultural heritage and hospitality to the world, instilling a sense of pride not only among its own people but also among its neighbouring countries in the Balkan region.

The participation of neighbouring countries with impressive entries added to the excitement and sense of unity within the region, making the 2008 contest a highlight for the entire Balkan community. Before Serbia’s independent participation, it had competed as part of Serbia & Montenegro for two years, further emphasizing the historical significance of the event for the country and the region as a whole.

Yugoslavia’s debut in Eurovision was indeed in 1961, and they participated a total of 27 times before their last entry in 1992 with „Ljubim Te Pesmama“ by Extra Nena.

Following the breakup of Yugoslavia, Croatia and Slovenia debuted as independent countries in 1993, Bosnia and Herzegovina in 1994, and North Macedonia in 1998. Serbia and Montenegro initially competed together as a joint entity in 2004 before participating separately from 2007 onwards.

„Rock Me“ by Riva remains the only Eurovision victory for Yugoslavia, winning in 1989 in Lausanne. Each of the former Yugoslav countries has contributed its own unique musical style and cultural flair to the contest since becoming independent participants.

Serbia’s track record in the Eurovision Song Contest is indeed quite impressive. With 15 participations so far, they have managed to qualify for the Grand Final 13 times, demonstrating a success rate of 81%. Additionally, achieving Top 10 rankings in four of those appearances further solidifies Serbia’s strong performance in the competition, with a success rate of 38% in this regard.

These statistics highlight Serbia’s consistent presence in the Eurovision Grand Final and their ability to deliver memorable performances that resonate with both judges and audiences. It’s a testament to the country’s rich musical heritage and the talent of its artists.

The singer and composer Željko Joksimović has played a significant role in Serbia’s participation in the Eurovision Song Contest, as well as in the broader Balkan region. His talents as a composer, singer, and performer have left a lasting impact on the contest’s history.

In 2004, Joksimović composed the song „Lane moje“ for Serbia & Montenegro, which achieved an impressive second-place finish, showcasing his ability to create memorable and emotionally resonant compositions. In 2008, he composed the Serbian entry „Oro“, which secured a sixth-place finish, further solidifying his reputation as a successful Eurovision composer. In 2012 he could even make a third place with “Nije Ljubav Stvar” as a singer.

Joksimović’s involvement extended beyond composing, as he also served as the host of the Eurovision Song Contest 2008 in Belgrade, adding his own charm and charisma to the event. Additionally, his contributions to the Eurovision entries of other countries in the region, such as Bosnia & Herzegovina and Montenegro, demonstrate his wide-reaching influence and his dedication to promoting Balkan music on the international stage.

Overall, Željko Joksimović’s multifaceted contributions have made him a central figure in the Eurovision community and have helped to elevate the profile of Serbian and Balkan music in the contest.