The participation of Georgia, Armenia, and Azerbaijan has brought a new flavour to the Eurovision Song Contest. These countries have a rich musical heritage that they often incorporate into their entries, resulting in unique and memorable performances. Moreover, their participation has also added a new geopolitical dimension to the contest, as these countries are located in a region that is often in the spotlight due to its complex history and ongoing conflicts. Despite the challenges they face, these countries have shown a great passion for the contest and have produced some outstanding entries over the years.

The inclusion of Georgia, Armenia, and Azerbaijan has infused the Eurovision Song Contest with a fresh and distinctive flair. Drawing from their rich musical legacies, these nations frequently infuse their entries with cultural elements, yielding performances that are both unique and unforgettable. Moreover, their participation has introduced a new geopolitical dynamic to the contest, given their placement in a region often under scrutiny due to its intricate history and ongoing tensions. Despite the obstacles they encounter, these countries demonstrate unwavering enthusiasm for the competition and have consistently delivered exceptional entries, showcasing their enduring passion for music on the Eurovision stage.

The Eurovision Song Contest serves as a monumental platform for countries to spotlight their musical prowess on a global scale. Beyond being a mere competition, it stands as a vibrant celebration of music and culture, uniting individuals from diverse nations and backgrounds. For smaller countries such as Georgia, it represents an invaluable opportunity to illuminate their music scene and cultural richness to audiences worldwide. Moreover, the contest offers artists a remarkable chance to garner exposure and potentially catapult their careers onto the international stage, fostering a sense of pride and accomplishment within their respective communities.

Georgia has established a reputation for delivering unexpected and innovative entries to the Eurovision Song Contest, securing a spot in the Grand Final on seven occasions. Although their likelihood of clinching a Top 10 ranking has marginally diminished, statistically speaking, it currently stands at 12%, derived from their historical performances.

The first Georgian entry „Visionary Dream“ by Sopho has been a masterpiece and a great debut entry and showcased what’s going to come in future years.

Georgia’s recent entries in Eurovision have not been able to qualify for the grand final since 2017, beside of last year’s entry “Firefighter” by Nutsa Buzaladze. However, the country has been able to showcase its musical talent in the Junior Eurovision Song Contest, where it holds the record for the most victories with three wins.

Since 2007, Georgia has been a consistent participant in the Eurovision Song Contest, with the exception of 2009. That year, the Georgian delegation made the decision to withdraw from the competition due to a controversy surrounding their entry, „We Don’t Wanna Put In“ by Stephane & 3G. The song was interpreted by some as a political statement directed at the Russian president, Putin. Given that the contest was being hosted in Moscow that year, the Georgian delegation opted not to participate in order to avoid exacerbating tensions.

The geographical positioning of the Caucasian countries in the south-eastern corner of Europe imbues their music with influences from neighbouring regions such as Kazakhstan, Turkmenistan, and Iran. This rich tapestry of musical heritage adds an extra layer of intrigue to their entries in the Eurovision Song Contest, as they frequently exhibit a remarkable blend of creativity in both composition and stage presentation. Given that the music from this part of the world is not as widely recognized in Western Europe, the Eurovision stage offers an exciting platform to showcase the fusion of traditional and contemporary tunes from the Caucasus, providing viewers with a captivating glimpse into a lesser-known musical landscape.