San Marino’s participation in the Eurovision Song Contest indeed began in 2008 with “Complice” by Miodio. While the song didn’t qualify for the final and finished last in its semi-final, it marked the country’s introduction to the contest. Despite the initial setback, San Marino’s presence has steadily grown, and it has since become a recognized participant in the Eurovision community.

2014 was a landmark year for San Marino in the Eurovision Song Contest. Valentina Monetta‘s entry “Maybe”, composed by the renowned Ralph Siegel, not only made it to the Grand Final but also marked San Marino’s best result at the time, finishing in 24th place. Valentina’s participation in Eurovision spanned three consecutive years, from 2012 to 2014, making her a beloved figure in the contest’s history and contributing to San Marino’s growing presence and recognition within the Eurovision community.

San Marino’s achievement with Serhat‘s “Say Na Na Na” in 2019 was a significant milestone for the country in the Eurovision Song Contest. Making it to the Grand Final for only the second time in its history was a remarkable feat, highlighting the country’s progress and growing presence in the competition. While “Say Na Na Na” didn’t secure a victory, its catchy and upbeat nature captured the attention of Eurovision fans and further established San Marino as a credible contender on the Eurovision stage.

San Marino’s dedication to the Eurovision Song Contest is commendable, especially considering the challenges posed by their small size and limited resources. Collaborating with foreign composers and tapping into the Italian music market are strategic moves that help maximize their potential despite their constraints. The partnership with Ralph Siegel and Valentina Monetta’s multiple attempts to represent San Marino underscore the country’s determination to participate and succeed in the Eurovision family. Their persistence and willingness to adapt demonstrate a strong commitment to showcasing their talent on the Eurovision stage, regardless of the obstacles they face.

The Eurovision Song Contest serves as a platform for celebrating diversity and showcasing a wide array of cultures and musical styles. While it’s unfortunate that some smaller countries have faced challenges and had to withdraw from the competition, it’s heartening to see the resilience and commitment of so many nations, both large and small, to participate and share their music with the world.

The potential return of countries like Andorra and Monaco, or the debut of newcomers like Liechtenstein, would add even more richness and diversity to the Eurovision family. Luxembourg’s return after a 30-year absence is indeed a cause for celebration, demonstrating the enduring appeal and significance of the contest on a global scale. Here to the continued growth and inclusivity of the Eurovision Song Contest in the years to come!

While the proximity of Bologna to San Marino and its rich cultural history could make it an attractive option for hosting the Eurovision Song Contest if San Marino were to win, ultimately, the decision lies with the winning country and the collaboration between the host broadcaster and the European Broadcasting Union (EBU).

The host city selection process involves various factors, including venue capacity, infrastructure, accommodation options, transportation, and logistical considerations. So, if San Marino were to emerge victorious, they would indeed have the responsibility of selecting a suitable venue for hosting the contest, in consultation with the EBU and their broadcaster. It’s always exciting to see how different cities and countries come together to create memorable Eurovision events!